Krisztián Cser

Krisztián Cser was born in 1977, in Szeged, Hungary. He grew up in a family of musicians. He studied classical singing at the University of Szeged, where his vocal trainer was István Andrejcsik, then he attended the Department of Vocal and Opera Studies at the Liszt Academy, where the famous operatic singer Éva Marton was his professor and studied stage movement and acting with Balázs Kovalik. He succeeded in several Hungarian and international singing competitions, either he got into finals, got a special prize, or even won.

He came out as an oratorio soloist in J. S. Bach's Saint John Passion in 1998. His repertoire includes a wide range of musical styles from early baroque to contemporary music. A worthy performer of the oratorios of Bach, Beethoven, Haydn, Händel, Mozart and Verdi.

In opera roles he appeared first in 2008, since when he has been a member of the Hungarian State Opera. During the years, his title-role singing in Béla Bartók's Bluebeard's Castle became emblematic, he sings it in many Hungarian and international performances successfully with the contribution of renowned conductors.

Besides Bartók's opera, he has played other remarkable roles on opera stages. He frequently sings the bass roles of Mozart's operas as Figaro, Leporello and Sarastro, and authentically plays the protagonists in Verdi and Wagner's operas, such as The Grand Inquisitor and Philip II in Don Carlos or Wotan in The Rhinegold.

His other leading roles have included Colline in Puccini's La bohème and Don Basilio in Rossini's The Barber of Seville. His ever-expanding repertoire includes more than 60 operas and nearly 80 roles. He regularly performs abroad. In 2019 he sang the role of Bluebeard with the Budapest Festival Orchestra conducted by Iván Fischer, at Carnegie Hall in New York City. With the same piece, he won acclaim from audiences in Hamburg, Paris and Luxembourg. He has debut as Wotan in Wagner's The Rhinegold, and as Don Pizarro in Beethoven's Fidelio at the Opernhaus Chemnitz. He also sang the role of Wotan in the fall of 2019 in Mexico City, where the 150th anniversary of the staging of Wagner's The Rhinegold was celebrated. In addition to performances abroad, he can be heard and seen on opera and concert stages in Hungary on numerous occasions.