Anna Reinhold
alto
After studying at Paris Conservatory and the University of Vienna, Anna Reinhold made her stage debut under the baton of William Christie, selected to be part of “Le Jardin des voix”; numerous collaborations with Les Arts Florissants followed: Cybèle (Atys by Lully), the Witch in Dido and Aeneas, Damon in Acis and Galatea (Handel), Proserpine in La Descente d’Orphée aux Enfers (Charpentier)…
Since then she has collaborated with various conductors and ensembles: Leonardo García Alarcón/Cappella Mediterranea, Raphaël Pichon/Pygmalion, Vincent Dumestre/Poème Harmonique, Ryan Brown/Opéra Lafayette, John Butt/Edinburgh Orchestra, Josh van Veldhoven/Bachvereniging, Jonathan Cohen/Orchestre d’Auvergne and Balearic Islands Simphony Orchestra, Andrea Marcon/La Cetra Barockorchester Basel…
On opera houses stages she already has sung Rossini’ titre role of L’italianna in Algeri and Mélisande (Debussy’s Pelléas et Mélisande) at the Théâtre des Champs-Elysées and the Atelier Lyrique de Tourcoing, Cavalli’s Elena at the Festival d’Aix en Provence, or Pandora (El Prometeo by Draghi) at the Opéra de Dijon…
She is a regular guest at chamber music festivals such as Les Musicales de Colmar (Pierrot Lunaire, Wesendonck Lieder, Lieder eines fahrenden Gesellen...), the Kaposvar festival and the Budapest festival (Kurtag’s Les Scènes d’un roman), or the Cork festival in Ireland (Janaček’s The Diary of One Who Disappeared)…
