19 Aug. 2010   Wiesbaden
21 Aug. 2010   Prague
7 Sep. 2010   Győr, Richter Hall
Iván Fischer's Dvorák "Cyclet"
27 July 2010  
Charles T. Downey, Ionarts  
 
Béla Bartók: Concertos pour violon No.1, sz. 36, et No. 2, sz. 112
18 July 2010  
Stéphane Guy, ConcertoNet.com  
 
CD der Woche
12 July 2010  
Ulrike Klobes, Kulturradio RBB (Rundfunk Berlin Brandenburg)  
 
Geschlossener Gesamteindruck
23 June 2010  
Stefan Drees, Klassik.com  
 
Wow! - Fischer/B.F.O. do it again!
18 June 2010  
B.Guerrero, Amazon.com  
 
Antonin Dvorák: Symphony No.7; American Suite
10 June 2010  
David Hurwitz, ClassicsToday  
 
Antonin Dvorák: Symphonies Nos. 8/9.
2 June 2010  
David Hurwitz, ClassicsToday.com  
 

 

The Classical Style: Classical Notes
21 July 2010  
Banles721 (blog)  
 
Beethoven Piano Concertos No.1-5
15 July 2010  
Derek Lim, The Flying Inkpot, 2010/7.  
 
Dvorák: Symphony No.9. and No.8.
4 July 2010  
Peter Joelson, Audophile Audition  
 
Dvorak, Antonin: Sinfonie Nr.7 d- Moll op.70
22 June 2010  
Stefan Drees, Klassik.com  
 
Mahler: Sinfonia N.4.
15 June 2010  
Umberto Padroni, Suono.it, 2010/6.  
 
Dvorak Symphony no.7 in D minor - Suite in A major ('American')
4 June 2010  
Steven De Waele, Kwadratuur  
 
Dvorák - Symphony no.7 - Suite
30 May 2010  
Jan Luijsterburg, hifi.nl  
 

 

Bartók, B: Violin Concertos Nos.1 and 2 (Zehetmair, Budapest Festival Orchestra, I.Fischer)
19 July 2010  
Santa Fe listener, Amazon.com  
 
L.van Beethoven - Symphony No.7 (1812) - BFO - Ivan Fischer
14 July 2010  
(konchatn), AvaxHome.ru  
 
Hoge dosis tsjingboem * * *
24 June 2010  
Frits van der Waa, De Volskrant  
 
Dvorák: Symphonies Nos. 8 & 9
20 June 2010  
Jim Leonard, allmusic.com  
 
Iván Fischer dirigiert Dvorák
12 June 2010  
Christoph Vratz, Norddeutscher Rundfunk  
 
Dvorak: Symphony No. 7, Suite in A major - Fischer
4 June 2010  
(krisjan), SA-CD.net  
 
Album: Dvorak, Symphony No 7 / American Suite (Channel Classics)
30 May 2010  
Anna Picard, The Independent  
 

 

Ever since its formation in 1983 the Budapest Festival Orchestra has worked overtime to establish its reputation as Hungary’s entry in the Euro-orchestra stakes, keeping up a stream of recordings, tours and a constant media presence. None of this would have paid off if the orchestra had not proved itself a world-class instrument. The focus of its concerts in London this year (two in June, two in November) is a cycle of the Beethoven piano concertos, but the orchestra’s playing has acquired such magnetism that it fairly upstaged the main event.
London, The Financial Times, June 10th, 2005, Richard Fairman
 

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